The Breslau Psalter
Underdrawing
Artists' Techniques
Underdrawing, probably drawn with a dry medium, can be detected in the infrared images of many folios, particularly to define drapery folds. It is especially apparent in the compositions painted by Hand A – most strikingly in Christ’s flowing robe on fol. 87v.
The position of the miniature’s outer frames was also sketched on the page prior to painting, as is apparent especially on fols. 49v and 51r.
1
Detail of the king on the left’s face under magnification (7.5x), showing the distinct blue base layer in the flesh tone, painted with woad, and the strong facial features painted with thick strokes of vermilion red and lead white.
Journey of the Magi
This image exemplifies Hand C’s vivid pictorial narrative. The busy composition led to an oversight: the domes appear to be suspended in thin air, as the artist forgot to paint the supporting columns.
Related content: Lab
- Overview of Artists' Materials: Cinnabar and Vermilion
- Overview of Artists' Materials: Indigo and Woad
- Overview of Artists' Materials: Lead white
- Overview of Artists' Materials: Realgar and Pararealgar
- Analytical Methods: Near-infrared imaging
- Analytical Methods: Optical microscopy
- Overview of Artists' Techniques: Painting the flesh