The Hours of Isabella Stuart

Prayer Creator celi and scenes from the Pilgrimage of the Human Life

Texts and Images

The prayer to God beginning Creator celi (‘Creator of the sky’) has a full-page frontispiece showing the Virgin and Child with Saints Peter and Paul, angels and the Trinity. There are marginal miniatures on every page. The first five complete the cycle of the French poem Pilgrimage of the Human Life. They are followed by two images of a woman in black, the manuscript’s patron, praying to Christ at an altar.

 

 

 

 

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1
Detail of the Virgin’s face under magnification (16x).
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2
Detail of St Peter’s face under magnification (16x).
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3
Detail of St Paul’s face under magnification (16x).
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4
Detail of the Virgin’s blue mantle under magnification (7.5x).
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Detail of St Peter’s keys and drapery under magnification (7.5x).
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Detail of St Paul’s pink mantle under magnification (12.5x).

The Virgin and Child are cradled within a crescent moon, a depiction inspired by the Apocalyptic Woman (Revelation 12:4). St Peter leans over the crescent, holding the keys to Paradise and pointing at Christ, the way to salvation. A contemplative St Paul, his sword sheathed, flanks the Virgin on the right. Angels descend from heaven. Their gesturing hands link the group below to the Trinity above, half circled by red seraphs whose arrangement echoes the crescent shape. The Father, the Son and the Holy Spirit seem to share a body, but have distinct physiognomies. This ingenious visualisation of a central tenet in Christian theology – the triune nature of the three persons of the Trinity – is embedded here in a devotional image. It introduces the prayer to God that begins on the facing page (fol. 137r).

The image of the Virgin and Child within a crescent moon features among the Limbourg brothers’ works and the Madonna Master, who was responsible for this miniature, may have been familiar with them.

The Madonna Master is the most accomplished artist in the Hours of Isabella Stuart. He uses a palette of bright, bold colours – ultramarine blue, vermilion red, malachite green, organic pink and lead white – set against highly burnished gold leaf, outlined in carbon black. Faces and draperies are modelled with subtle, blended brushstrokes. The artist painted this miniature freehand; no underdrawing was detected in the infrared image.   ­­