Hand C
Artists
Hand C emulated Hand A’s legible narrative scenes, and delicate figure and facial types, but did not achieve the same level of execution. He contributed very few images, the most prominent being the third page with the Cardinal’s portrait.
Historiated initials D with images of St John the Baptist (Mass for the Nativity of St John the Baptist)
The initial showing the Birth of St John the Baptist opens the Mass for this feast. Its importance to Cardinal Acciaiuoli is signalled by the inclusion of his portrait and arms in the border, and by the presence of a second historiated initial for the collect (short prayer) recited on the day. The second image, showing the young St John the Baptist going into the desert, is inspired by an iconographic model well established in Florence and preserved, for instance, in the Baptistery’s mosaics and bronze doors.
This page preserves Hand C’s only major contribution to the Missal (hotspots 1 and 2). The delicate figures and facial types, and the compositions, clear and legible despite their minute scale, suggest that this artist followed Hand A closely, even though he did not match the latter’s exceptionally refined execution. Like the other three artists, he also used egg yolk as a paint binder in the miniatures as well as the human figures painted in the borders (hotspot 3).