The Colourmen Archives: The Hidden World of Colour
The Colourmen Archives are the Fitzwilliam Museum’s collections of Charles Roberson & Co (founded 1820) and Winsor and Newton (founded 1832) represent two of the most important colourmen companies manufacturing and supplying artists’ materials in London.
These collections provide rare and detailed insights into artist business relationships and material supplies in the 19th and 20th century British art world. Previously inaccessible to researchers and general audiences, they comprise recipe books, colour charts, catalogues, account ledgers and artists’ letters, as well as actual paints, pigments and objects such as palettes, lay figures, paint boxes, paper and canvas samples. The collections reveal the internal workings of the companies and their relations with customers, suppliers of raw materials and fellow colourmen. They also hold valuable information on the materials and techniques of artists and designers working at all levels and across a wide range of disciplines.
We are undertaking the first stage of digitisation of the archive. The project makes use of cutting edge scientific analytical equipment enabled by the Fitzwilliam’s partnership in the Cambridge Heritage Science Hub CHeriSH, and will collaborate with Cambridge Digital Humanities, in looking at innovative ways of digitisation.
Digitisation of the Colourmen archives will provide access to invaluable material to a wide network of interested researchers. It will also help to draw out connections with the Museum’s wider collections to tell stories to as broad an audience as possible.
Outcomes of the project
Conservation of the archives
Stabilising the archive so careful handling of the full collection will be possible and full research potential can be realised. Conservation work will also provide opportunities for an early career paper and book conservator to gain valuable practice-based experience.
Digitised Material & Online Access
Our pilot digitisation work is particularly focusing on the Roberson ledgers that hold so much information on individual artists and their practice. We will share the newly digitised material via the Museum's Collections Explorer.
Stories for our audiences
These collections contain a wealth of stories about artists at work and the Victorian and Edwardian art scene in London and beyond.
Pilot new ways of working
This first phase of digitisation will not only provide access to this invaluable material to researchers from University of Cambridge and further afield but will also demonstrate new ways of working with digital archives.
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